- Words Notion Staff
Dutch singer and producer Naaz gives us an in-depth track by track breakdown of her new EP Bits of Naaz.
Naaz has been on our radar for a while. Still in her teens, sheâs one of the most promising new songwriters in the Netherlands, if not Europe, crafting her own, distinct take on the âbedroom popâ phenomena sweeping the globe. Today she releases her debut EP Bits of Naaz, a bubbly eight-track collection of danceable left-field pop tunes that owe as much to Kanye West and Chance the Rapper as Lordeâs futuristic-pop sensibility. Written and recorded between her bedroom, local studio and Hitlerâs personal airport in Berlin (itâs a refugee shelter and community-focused music studio now, donât worry) itâs a triumphant first statement from an artist just starting out.
Part of what sets Naaz apart from many of her peers are her lyrics that deal in that swirling mix of self-doubt and self-confidence that defines so many peopleâs teenage years. By her own admission, Naazâs lyrics are a form of therapy. Her songwriting process starts with her spilling her innermost thoughts onto paper and going from there. To get a better understanding of her lyrics and the EP as a whole we asked Naaz to break it down, track by track and she spared no detail. Listen to the EP below and read on for her guide to each track.
Someday
I woke up one morning and looked at my bedroom desk. It struck me how I am the head of the table every time I sit there. It felt cool until I realised Iâm also alone at the table. How much worth did it have to be the head of the table if I was alone? It made me feel insecure; it led me to look around and compare myself to others, something I know is not healthy to do. I felt shitty but wanted to make a song to make me feel better, talk to the music instead. The paper I write on is my shrink haha. Because it didnât feel like people understood, even though probably everybody understands the feeling of not feeling good enough.
Saying it out loud only confirms that feeling, and then maybe we set others to think the same about us, something we donât want; those moments of insecurity, where you feel youâll never really reach that âsomedayâ, where everything is what you dreamt of. Because by the time youâve reached that point youâre probably already dreaming of different things. Youâll already have felt the feelings your dreams gave you when you dreamt them and become insensitive to it. You werenât living in the moment, only thinking about the âsomedayâ. Maybe if I âwork, eat, sleep, love and cry Iâll be someone someday. For now: stand up, because things are finally happening, I have been hustling⌠they (including me to myself) always preached you couldnât do it, wait till youâve done it.â
Today was once your âsomedayâ. You can work for your future while living in the moment. Live.
As Fun
I donât think Iâve ever cried so much while making a song as I did with âAs Funâ. We wrote it in Berlin in a studio at the old airport of Hitler. They turned what used to be a really dark place into something that rather shines light, as itâs now a spot for creatives and a shelter for refugees. It was one of the first times in years maybe that I wrote music with other people again. I felt like I was going a bit mad being alone in my room all the time, trying to create something out of nothing, that I was just in need of some connection with other creatives. I was quite frustrated by my own inflicted isolation towards the world, I replied to Joe Walterâs âHow are you?â with my whole life story, hahaha, I basically violated my own privacy by madly oversharing everything about myself with somebody I didnât even know one bit. But it felt needed. For a while only my songs heard how I really felt. He did quickly become a bit of Naaz though as we wrote the song together along with Pascal Reinhardt. After bawling my eyes out, I ended the story saying: âif all of that didnât happen though, life wouldnât be as funâŚâ and thatâs how the song was born.
âAs Funâ is about doing things for the sole purpose to âfeelâ, whether these are good or bad emotions. As we all know, some things can look so beautiful from afar but feel so differently up close. Clouds look like sugar but are only white, cold mist up close. Hearts can break when you fall in love too deep, but that shouldnât be a reason to leave it undone. âMaybe we should just watch the view from where we are,  but that wouldnât be as funâŚâ
In one of my songs, âMess Me Upâ I write further about the hook of âAs Funâ: âBreak my heart, I need it. If thatâs what it takes to feel alive⌠Waking up, I feel it. Gonna live until I die.â Sometimes you are present in this thing called life but not really living it, I donât ever want to stop living until the moment I actually physically die. I will not, not experience the âwhat ifâsâ of love and life just because Iâm afraid of the more negative outcome. For the sake of feeling, you can go ahead and try to mess me up, but Iâll enjoy the feeling of real life so much and so little at the same time, that Iâll only get to know myself more and grow. Iâll break as I grow new bits of myself and glue my pieces together with the beautiful memories I will have made. Otherwise, life wouldnât be âAs Funâ.
I asked Pascal to mute the guitar with his hands while playing and record the sound it made, I ended up using it in the production named as âpercussion guitarâ hehe. When I was back in Holland, I started producing the rest of the song and couldnât stop crying and dancing in my room. It made me feel so much, I feel like the emotion in the production brings forward exactly what the song is about and the feeling itâs portraying. Itâs maybe one of my most important bits of making music, for it to be a translation of my soul at that very moment. âAs Funâ is definitely a bit of my soul, and every time I perform it on stage I go back to that feeling. I filled up the song with sticks tapping against each other, hidden seventh chords that you can feel rather than hear, teaspoons tapping against glass, âpercussion guitarâ and birds whistling in nature. As itâs my favourite thing to do, I used my voice as the main instrument throughout this whole song. Every time I donât know how to bring a melody I hear in my head to life, I do it with my voice and harmonies. I think probably 80 % of the song is made out of harmonies, just the way I like it. This is very much inspired by Kanye Westâs use of vocal samples in his music, a lot of times theyâre the only source of harmony in the song, and I love that. In my case, I love sampling my own voice.

Pretty
I wanted to make a non-sad, non-self pitying, non-society-insulting song, about being your own type of pretty. Sing about my physical characteristics in a rather positive way.
âMy skins got spots and they shine in the spotlights, hairâs so soft on a certain height, teeth can bite but theyâre not so white. Iâm pretty, âcuz Iâve got awesome minds.â
âMindsâ is plural because it represents the many perspectives I like to take on viewing myself. Beauty can never be a fact because everybody has a different perception of it, we all have different taste, all like different things, so watchâme be my OWN type of pretty. I donât need to be hyped to feel me.â As long as I like it, itâs all good.
âSometimes Iâm insecure, at least Iâm sure about that.â
I sing about my body hair on the bridge; I wrote an almost entire conversation I had with my mum when I was 13. Most of my black haired girlfriends and I would always freak out about our dark body hair, in my particular case the boys bullied me over it. Up until a few months ago I always thought I had to hide it like it made me less âprettyâ, I thought it was important to say it out loud in a song. My friends and I always used to treat it like our âbig secretâ, well the world can know now. We have hair; itâs black, itâs because weâre human, just like you.
Mess Me Up
This one is about when people try to protect you from things to keep you from what could potentially hurt you, without realising that that is exactly how you can get messed up.
âDonât they know this is how you take feelings away? Give a chance to at least, feel it away.â
Itâs for the âgoodâ boys and girls who didnât really choose for it but might hurt their surroundings if they donât live by it. Living in compromise, half happy. Half yourself. Thatâs what messes you up.
âIâm at a point where I donât care if you mess me up, Iâve been there on my own against myself enough, maybe if itâs in third person I could stop the truck, but now Iâm at a point where I donât care if you mess me up. So mess me up.â
Words
One of my first happy songs ever. Before âWordsâ, I mostly wrote sad songs. I also only did studio sessions to make music. I had just graduated high school and wasnât accepted into college, which to my joy gave me one year of time to try to make something convincing out of my career towards my parents. I was only allowed to go to the studio if my brother joined, but with all this new time on my hands, it meant that my brother could not always join me to the studio when I felt like going. So I wanted to become as independent as possible, create that sound I heard in my mind on my own, in my bedroom, Thatâs how my sound was born, and I started producing again. As I was not very skilled yet and could only minimally play instruments, I decided to take sounds from my environment and use those as part of the production. Which is now a big part of my music.
I didnât like the way I viewed the world as it was rather sad and angry until I realised how, just because I only have two eyes, doesnât mean I canât view the world through other peopleâs eyes. I wanted to get to know new perspectives through the âWordsâ of my friends and the people I looked up to.
âIâm in love with your words, will you show me the world⌠through your eyes âcuz you know, just the way to put it on me.â
Itâs mostly inspired by my best friend who is also my mentor, Arjan Bedawi (part of Soulsearchinâ). I was the most insecure, sad 16-year-old when I met him, I feel like the phone conversations with him (âthe sound waves of your voice make me swim through the stormâ) changed my outlook on life a lot.
âThe way he drives the road got my feet running fast with no despair, he made me believe it could one day be me over there.â
Iâm very content with myself now. I took in the words of others and breathed out my own outlook on them.
Loving Love
It really bothers me how some people canât be with the one they love just because theyâre feeling butterflies for someone their community or society donât approve off. In many ways I have felt what itâs like to not be accepted for who you are or aspire to become, I donât wish that self-doubt upon anyone. âLoving Loveâ is an oath to love in all itâs beautiful & twisted ways. There should be no rules or limits to love, express whatever you feel and donât care for the âcredibilityâ of your love for things or people. If itâs real, itâs real and nothing could undo that. There should be no time for ego, hate & bullshit when youâre âtoo busy loving loveâ. Loving is older than our existence but nowadays we should do it ânew schoolâ â love whatever and whoever you wanna & donât care about ancient rules; race, gender and even popularity. âWeâre anciently new school, loving love like weâre supposed toâ. Letâs just make love cool again, ok?
The production was inspired by Kanye West and the songwriting by Chance The Rapper. I thought to myself âwhat would Kanye make if heâd produce a Naaz song? Well⌠this was it.
Canât
I made âCanâtâ the day after âWordsâ. I remember when I first started playing the intro on my keyboard I just felt butterflies all over my body. It felt like the translation of being in love into sound. The song is about when you really want something but think you canât have it. I wrote it with a loverâs point of view but it could also be about something totally different, like the dreams you wish to live but think you canât. The song is a mental struggle between saying youâre okay with something just to deal with it, while at the same time not being able to sleep at night because it bothers you so much. You accept reality but it still hurts you.
Up To Something
This song is my soundtrack for hope & freedom and makes me feel capable of anything. Back in high school I always used to spend my time alone during the breaks to write songs & just be. I didnât feel the need to make new friends or explain to people who I am or what I want to do with my life. I was already so sure of what it was and didnât feel like I needed their approval. So many people wondered why I was always isolating myself. Also at home when I locked myself up in my room for days making music, creating myself. Nobody really understood â the only answer I had to their questions was that: âIâm just a girl thatâs up to somethingâ.