UNDISCOVERED #247: mary in the junkyard, deed0t & ASTOR

Listen to this week’s edition of UNDISCOVERED, featuring our pick of the best new music from the world’s most exciting emerging musicians.

KEEN Adds Two New Styles to UNEEK Family for SS25

KEEN marks over a decade of its boundary-pushing UNEEK silhouette with two fresh additions for SS25: the chunky UNEEK PLT and the high-tech UNEEK WK, shaped by bold designs and sustainable innovation.

‘Flying Machine’ by Bonneville

Bonneville’s 'Flying Machine' soars with soulful grooves, retro-futurist funk, and a poignant search for wonder beyond adulthood.

‘Black Ice’ by Collin Gibson

Collin Gibson glides back with 'Black Ice', a suave, generational groove blending golden-era soul with contemporary polish.

‘Where We Part’ by Bea Elmy Martin

A grief-tinged alt-pop ballad, Bea Elmy Martin returns with 'Where We Part' from her haunting debut, Under the Yew.

‘Say My Name’ by Axel Farden

A soul-soaked, R&B-pop slow-burner that’s equal parts heartache and finesse, Jakarta-born Axel Farden returns with new single, 'Say My Name'.

‘Cinematic’ by Will Linley

Will Linley drops new single 'Cinematic', a tender track from South Africa's rising pop heart-throb.

Ronnie Scott’s Takes Over Seabird Rooftop for a Summer of Late-Night Vibes

This summer, iconic Soho jazz club Ronnie Scott’s takes to the skies for an exclusive rooftop residency at Seabird, The Hoxton Southwark blending live jazz, skyline views and cocktails.

‘I Still Hate Myself (Maybe)’ by Glazed Curtains

Austrian rockers Glazed Curtains confront self-doubt with searing honesty on new single 'I Still Hate Myself (Maybe)' - a gritty, cathartic anthem that captures the intensity of modern rock.