- Words Aimee Phillips
Sitting in the sweet spot between soul and pop, Mathilda Homer chats about her new EP, 'Dear Life', its creative process, and what she's looking forward to.
Mathilda Homer is full of beans; you can almost hear her brain bouncing around as sheās chatting away. Her attitude is completely infectious, so itās only natural that her music would be too.
The enigmatic young artist has a knack for building relatable, visceral narratives into her songwriting. Whether sheās deftly navigating sadness with smooth vocals on āToo Muchā or making light of a recent split on āBreakup Breakfastā, Mathildaās music is truly something that everyone can enjoy.
Out today on RCA, Mathilda Homerās new EP, āDear Lifeā balances up-tempo, jazzy melodies with slower, reflective numbers. Written as a ādiary entry to the world,ā the new EP features ālove letters in postcard form, thoughts and memories, fears and worries.ā
With three of the five tracks released over the course of 2020, āDear Lifeā also serves up two new tracks, āI Hate That I Love You So Littleā and āPostcardā.
Before āDear Lifeā, Mathilda had released a string of singles including the popular soulful numbers āProbably Sorryā and āGarden Of Eden.ā This project marks her second EP to date, following āGodās A Girlā in 2018.
We caught up with Mathilda ahead of the EP release to hear how she writes music, the story behind āBreakup Breakfastā and itās gorgeous music video, and much more. Dive in below!

First of all, how are you? How have you been getting on in lockdown? Youāve been at your family home in the countryside, right?
Yeah, I havenāt been out of the house in about three months! Iām shielding in East Sussex. Iāve been with my family which has been quite chaotic. Weāve made films, loads of joke adverts, we just try to be doing loads of creative stuff. My sisterās an actor so she canāt do any work⦠itās just so mad.
Who are some of your biggest musical inspirations over the years?
By far the first one that always comes to mind is Eva Cassidy. I used to have her CD and would drive in the middle of the night and have it on so loud. Her voice is just insane. When I was younger, we listened to a lot of Tracy Chapman⦠My Dad listened to Jeff Buckley, Bob Dylan, so a lot of classical influences. Recently, I just love Adele. Iāve been listening to her so much recently, like, āwhat the hell, youāre amazing!ā But the other day I found this new guy called Mustafa the Poet. He just did a song with James Blake which I absolutely love. His voice is in-sane! All my peers Iāve always listened to like Eloise constantly on Spotify to get her streams up [laughs]. Lily Moore⦠you know all the gang. Theyāre the nicest girls as well. Iāve been FaceTiming Eloise through the whole of lockdown! Every day basically.
Have you guys written songs together?
Weāve never written together! But I so wanna do a song featuring her or a duet or something. Iām obsessed with her voice; itās one of the best voices Iāve ever heard in my life. When this lockdownās over, weāre gonna get in the studio. Iām also gonna write a bit with Lily. Iāve written a song for her before, āBetter Than Meā. Itās really nice to write songs with other artists.

When youāre writing new music, do you still listen to songs from other artists, or do you shut yourself off?
When Iām in the writing process, I definitely donāt search for new music ā just because I donāt want to be too heavily influenced by whatās trending, but I definitely do listen to music that Iām familiar with. The roots of my music are quite classical but then obviously I donāt want it to be dated so we try to make it more modern-y but in the lyrics, I donāt want to write about Instagram because I feel like Instagram wonāt be a thing in like five years. I donāt really think that fits with my style.
What are you hoping people will take away from āDear Lifeā when they listen to it?
Recently Iāve put out quite a few sad songs, but Iāve got a song called āI Hate That I Love You So Littleā and itās like ā that isnāt a cheery title is it? But I like the thought of having ā not a sad song with sad music but a sad song with upbeat music so it contrasts. The contrast in the lyrics against the melody, but it feels like it fits together. I wrote āI Hate That I Love You So Littleā with Jimmy Hogarth whoās done the maddest stuff; written loads with Paolo Nutini, I think Amy Winehouse⦠working with him I was kinda starstruck at the start. We just became like best mates! Heās such a legend. I wrote that song with him and then thereās another song coming out later this year I wrote with him. Heās just a great person to write with.
But yeah, the EP⦠I make my songs relatable so it sounds like when I sing, Iām singing someone elseās story. I genuinely feel like, if you make your songs have quite a few meanings then people really relate to them.
āBreakup Breakfastā is one of the songs featuring on the EP. Whatās the story behind the song?
Well, I went to Amsterdam to do it with Benny Sings who wrote āLoving Is Easyā with Rex Orange County. So I went there and I had the words breakup breakfast in my mind because they sounded good together in my head. I had that alliteration and had the context ā obviously, a lot of people have had that ā broken up with someone; been with them for ages, and then you sleep with them after youāve broken up and itās that feeling of, weāre so familiar; this is fucking awkward! Itās not like it used to be, but itās still me and you⦠Itās that awkward morning after and youāre sitting together, and you both know what happened and it probably shouldnāt have happened. But then it could be one night stands or just awkward mornings. You make it as you want. Iāve had some funny stories come back to me. In fact, Iām gonna do a FaceTime with Lily Moore and share some stories of peopleās breakup breakfasts. Or a podcast or something!

The accompanying music video is so lovely. How did it all come together? Itās like a deconstructed house within a forest.
That was during lockdown! It was at my parentsā house in Sussex. We obviously couldnāt have it inside so I was like, weāre probably going to need to do it outside, but I still want it to have a homely feel. The director, Jay, came up with this idea that by the end of me being in each scene, everything would be overgrown. Also, we couldnāt obviously have someone else lying in the bed with me, so we had to imagine a person [laughs]. It was like what I would do, but the ghost of the personās with me in my house.
What makes you most excited and nervous when releasing new music?
Definitely most excited is that potentially people are gonna like it [laughs]. And nervous ā potentially they wonāt. But itās worth the gamble, isnāt it? Also, by the time you release a bit, you kind of know what the people who listen to your music like. You kind of get to know the personality of the body of your fans. So, you can know if theyāll like it. Itās very much in my brain more than it used to be now. When I release music now, I listen to it as if Iām my fan. I think itās good to be objective; to take myself out of myself ā if I was listening to this, would I like it? If I think yeah, then I think we should go for it.
What are you most looking forward to at the moment?
Itās a bit of a difficult time to be looking forward to stuff because realistically it would be festivals because I was meant to do loads of festivals this summer; itās heartbreaking. Itās now been pushed to next year.